This drawing is an architectural detail of a very elaborate residence called the Villa Tramontana. For the interiors and exteriors of this project I created hundreds of individual designs which were then composited into larger images. I created the unique architectural details as full size measured plans for the villa, ready to be sculpted and cast. Interior ceiling decorations were also designed to scale for the residence and therefore were ready for production.
Villa Tramontana’s floor plan is symmetrical and centralized, with a total living space of approximately 10,000 square feet. The main level consists of a grand foyer, living room, dining room and library all in an open floor plan. A central corridor leads to a kitchen and family room in one wing of the residence, and the master bedroom, bath and dressing room in are in a separate wing. The lower level consists of guest bedrooms, service and utility rooms, garages, and a convenient covered entrance.
The villa’s design and all the details are completely original, though inspired by 16th century Roman Late Renaissance architecture. The villa was never executed for the original client so the designs are available for anyone who wants a grand residence! For more images, click here, or on the picture below:
The entablature design is also available as a limited edition print on my online store. Click here for more information. I also offer workshops on architectural design and proportioning. Click here for a description.
Three different workshops are offered in geometry and design. Workshops can also be customized and combined to fit the needs of a particular group.
1. The Geometry of Creation
Creativity is the manifestation of an idea in the physical world and geometry is a symbolic representation of the forces that are used in nature and by humans in order to make ideas become “real”. This workshop explores the essence of duality, symmetry and proportion in order to gain a better understanding of the fundamental nature of design. The workshop will demonstrate the most fundamental historical geometrical constructions and show how they were used to solve design problems. Participants will gain a more thorough knowledge of how to design and proportion an original work to achieve a graceful, natural and harmonious effect.
2. Creating Pattern and Design
Humans have created intricate and enthralling patterns and designs since the dawning of culture. Aided by powerful computer graphics tools, it has never been easier to design original patterns, and there have never been as many ways to produce them. At the same time, contemporary culture has a poverty of expression in pattern and design that has never existed in history. This workshop examines the geometric foundation of pattern and its relationship to creativity in the natural world and in human culture. It will demonstrate the geometry of the most fundamental forms of pattern, such as tiling, weaving, frieze patterns and wallpaper patterns. Participants will learn contemporary, (digital), methods of designing, proportioning and propagating patterns as well as traditional methods for producing patterns as two and three-dimensional decorative works.
Proportion in art and architecture has been a topic of artistic discussions for millennia. The use of proportion in classical Greece has been held as the supreme example of beauty, but the neither the Renaissance nor later neoclassical periods were able to unlock the mystery of its method. The reason for this was the introduction in the 12th century of the Arabic system of numeration and calculation using the concept of zero. From that time on, Western Europe began to think and calculate in “rational” numbers that could be expressed by integers. The system of proportion in ancient Greece and Rome was based on irrational numbers that could be expressed easily enough in drawings and diagrams, but never in numbers. This workshop uncovers and explains the methodology of classical proportion. Participants will learn different approaches to proportioning any design from an architectural façade to a vase to an electronic keyboard using the classical technique.